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KEHINDE WILEY Rumors of War, 2019

KEHINDE WILEY
Rumors of War, 2019
patinated bronze with stone pedestal
sculpture: 184 5/8 x 204 3/8 x 67 3/8 inches (468.9 x 519 x 171 cm)
pedestal: 144 1/4 x 305 7/8 x 189 5/8 inches (366.4 x 776.9 x 481.6 cm)
overall: 27' 4 7/8" x 25' 5 7/8" x 15' 9 5/8" (835.3 x 776.9 x 481.6 cm)
edition of 3 with 2 APs
signed and dated by the artist
KW-SC-19-002
© the artist, Courtesy: Sean Kelly, New York

MARINA ABRAMOVIC Self Portrait with Skeleton, 2003

MARINA ABRAMOVIC
Self Portrait with Skeleton, 2003
framed cibachrome print
print: 50 x 80 inches (127 x 203.2 cm)
framed: 51 x 81 x 2 inches (129.5 x 205.7 x 5.1 cm)
edition of 5 with 2 APs
the work is accompanied by a signed certificate of authenticity
MA-146
© the artist, Courtesy: Sean Kelly, New York

JOSE DAVILA Untitled (Les Ménines), 2020

JOSE DAVILA
Untitled (Les Ménines), 2020
archival pigment print
overall: 80 7/8 x 100 7/8 x 3 1/8 inches (205.5 x 256.2 x 8 cm)
edition of 4 with 1 AP
signed by artist on label, verso with accompanying signed certificate of authenticity
JDa-20.90
© the artist, Courtesy: Sean Kelly, New York

ILSE D'HOLLANDER Untitled, 1991

ILSE D'HOLLANDER
Untitled, 1991
mixed media on cardboard
artwork: 2 15/16 x 39 3/8 inches (1 x 100 cm)
framed: 31 /8 x 43 11/16 x 2 3/8 inches (81 x 111 x 6 cm)
signed by the artist, verso with accompanying certificate of authenticity
signed by Ric Urmel, Executor of the Estate
IDH-CB.MM21
© the artist, Courtesy: Sean Kelly, New York

 HUGO MCCLOUD


HUGO MCCLOUD
“pass the salt”, 2020
plastic merchandise bags on wood panel
61 x 85 inches (154.9 x 215.9 cm)
HM-298
© the artist, Courtesy: Sean Kelly, New York
 

REBECCA HORN Der Sonnenseufzer, 2006

REBECCA HORN
Der Sonnenseufzer, 2006
violin, glass, motor, steel, electronic, yellow pigment, flamed glass
26 3/4 x 17 5/16 x 30 7/8 inches (68 x 44 x 78.5 cm)
RH-SC-2076
© the artist, Courtesy: Sean Kelly, New York

IDRIS KHAN Two Bar Rhythm, 2020

IDRIS KHAN
Two Bar Rhythm, 2020
oil based ink on gesso ground, aluminum panel
63 x 51 1/8 inches (160 x 130 cm)
IK-102
© the artist, Courtesy: Sean Kelly, New York

 JOSEPH KOSUTH


JOSEPH KOSUTH
'Titled (A.A.I.A.I.)' [begin], [middle], [end] - [Webster's N.D.], 1968
three certificates: printed definitions glued to boards, ink
form of presentation: three mounted photographs: 48 x 48 inches (122 x 122 cm) each
JK-1991
© the artist, Courtesy: Sean Kelly, New York

新聞稿

Art Basel 2020 Online Viewing Room

Sean Kelly Gallery presents a carefully curated selection of works that reveals the rich spectrum of aesthetic tendencies expressed by artists with whom we work, including Marina Abramović, Dawoud Bey, Jose Dávila, Candida Höfer, Rebecca Horn, Idris Khan, Joseph Kosuth, Hugo McCloud, and Shahzia Sikander, amongst others, and offers a particular  focal  point  on Kehinde Wiley’s monumental  sculpture, Rumors of War, 2019.

Our presentation  includes  historically important works by iconic artists Abramović, Horn, and Kosuth, as well as exciting works by mid-career artists such as Callum Innes and Mariko Mori, and compelling new works by Julian Charrière, Hugo McCloud and Sam Moyer. Abramović’s Self Portrait with Skeleton, 2003, is linked to her performance Nude with Skeleton, and is one of her most iconic images. Horn’s Der Sonnenseufzer,  2006,  which  translates  as  “The  Sun  Sigh,”  is  a  classic  example  of  the artist’s sculpture and was included in her retrospective at the Museum Tinguely in 2019. In this work, the violin plays three haunting sounds, representing two contained worlds of  light  and  dark. Kosuth’s Titled  (A.A.I.A.I.)' [begin], [middle], [end], Webster's  N.D., 1968, is an exceptionally rare  example from his “Definitions,” series, a work  whose apparent graphic simplicity belies  its unmistakable philosophical  and  psychological complexity.

Jose Dávila’s Untitled (Les Ménines), 2020, similarly engages a deconstructed  graphic  sensibility  to  riff  on  iconic  moments  from  the  history of art. Callum Innes’s Exposed Painting Quinacridone Gold,  2020, suggests  a  freezing  in time,  or  the  momentary arrest of an ongoing process, whereas Idris Khan’s Two Bar Rhythm, 2020, engages a series of densely layered texts that speak to the metaphysical collapse of time into singular moments.  

While these artist’s works express the timelessness of art, Kehinde Wiley’s  monumental  sculpture Rumors of War, 2019, which was  unveiled in  Times  Square  in  September  2019,  before  moving to its final home at the entrance to the Virginia Museum of Fine Arts in Richmond in December is decidedly of the moment, having  quickly  become  an  iconic  emblem of the Black Lives Matter movement. Today this sculpture stands as an untarnished beacon to the future, as the very works that it was created in response to—the  numerous  memorials to the Confederacy lining Richmond’s Monument Avenue—are being permanently removed.

To register for the Online Viewing Rooms, please create an Art Basel user profile here

To view our presentation, please click here

For more information on the gallery artists, please visit skny.com

For additional inquiries, please contact the gallery via email at info@skny.com

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