Skip to content
Blue House on Water #2, 2018, framed archival pigment print mounted to dibond

Blue House on Water #2, 2018

framed archival pigment print mounted to dibond

paper: 60 1/2 x 46 3/4 inches (153.7 x 118.7 cm)

framed: 63 3/8 x 49 5/8 x 2 1/4 inches (161 x 126 x 5.7 cm)

edition of 5 with 2 APs (#3/5)

signed by the artist on label, verso

JC-274.3

Orange House on Water, 2019, framed archival pigment print mounted to dibond

Orange House on Water, 2019

framed archival pigment print mounted to dibond

paper: 46 3/4 x 60 5/16 inches (118.7 x 153.2 cm) 

framed: 49 1/8  x 62 11/16 x 2 1/4 inches (124.8 x 159.2 x 5.7 cm)

edition of 5 with 2 APs (#1/5)

signed by artist on label, verso

JC-279.1

Red/Orange Solo Pavilion, 2018, framed archival pigment print mounted to dibond

Red/Orange Solo Pavilion, 2018

framed archival pigment print mounted to dibond

paper: 66 3/4 x 46 inches (169.5 x 116.8 cm)

framed: 69 5/8 x 48 7/8 x 2 1/4 inches (176.8 x 124.1 x 5.7 cm)

edition of 5 with 2 APs (#1/5)

signed by the artist on label, verso

JC-272.1

Santa Teresa White Duplex, 2019, framed archival pigment print mounted to dibond

Santa Teresa White Duplex, 2019

framed archival pigment print mounted to dibond

paper: 46 3/4 x 64 5/16 inches (118.7 x 163.4 cm)

framed: 49 5/8 x 67 3/16 x 2 1/4 inches (126 x 170.7 x 5.7 cm)

edition of 5 with 2 APs (#1/5)

signed by artist on label, verso

JC-280.1

Tan House on Stilts, 2019, framed archival pigment print mounted to dibond

Tan House on Stilts, 2019

framed archival pigment print mounted to dibond

paper: 66 3/4 x 44 1/2 inches (169.5 x 113 cm)

framed: 69 1/2 x 47 1/4 x 2 1/4 inches (176.5 x 120 x 5.7 cm)

edition of 5 with 2 APs (#1/5)

signed by the artist on label, verso

JC-278.1

Press Release

JAMES CASEBERE
 
On the Water's Edge 
 
DECEMBER 13, 2019 – JANUARY 25, 2020
OPENING RECEPTION: Thursday, December 12, 6-8pm
 
Sean Kelly is delighted to present On the Water's Edge, James Casebere's eighth solo exhibition with the gallery. In this arresting new series of images, Casebere continues his ever-evolving exploration of form at the intersection of architecture, sculpture and photography. In previous, well-known bodies of work, the artist depicted buildings and interiors based primarily on extant structures; this series, however, is distinguished by a marked change in Casebere's conceptual approach. To create these salient new images, Casebere became the architect, often designing and building the structures he produced and then photographed. There will be an opening reception on Thursday, December 12, from 6-8pm. The artist will be present.
 
Over the course of forty years, James Casebere has developed a unique and increasingly complex language of "constructed photography" in which he builds structural models, which he then lights and photographs. Based on art historical, cinematic and architectural sources, his table-sized constructions are made of simple materials and pared down to essential forms. Throughout his practice, Casebere's images have expanded to accommodate his exploration of different aesthetic and technical challenges. For instance, Casebere's previous series of images, inspired by world-renowned Mexican architect Luis Barragán, embraced modernist architecture's use of space, color and light to create images that engendered warmth, meditation, and reflection. In this new body of work, Casebere continues with a nod to the influence of Barragán, but also architect Paul Rudolph in his visionary mid-century modern Florida homes and later shift to Brutalism. In these images, Casebere re-imagines both the context and the content of the original structures. 
 
The works in this series are hybrids of public/private spaces. Geometrically designed edifices rendered in a rich and vibrant palette; these buildings appear simultaneously concrete and abstract; they are open, even unfinished buildings of the sort that provide sanctuary, such as beach houses, cabanas, bathhouses. Neither utopian nor dystopian, these images are meant to inspire an appreciation of pure beauty coupled with a twinge of uncertainty. Indeed, in these unmoored, flooded pavilions, Casebere sees human ingenuity in the face of global warming. Acknowledging the imminent unknown future these pictures embody, he also insists that we "can't afford to throw our hands up in…resignation." In fact, Casebere acknowledges that these structures are about tenacity, adaptation, ingenuity, and perhaps, optimism, describing them by saying, "there is such a playful atmosphere to them. It feels like an expression of the indomitable human spirit. These things could be rising out of the water like the first creatures to emerge from the sea and live on solid ground.”

James Casebere is the winner of the American Academy in Rome Abigail Cohen Rome Prize Fellowship for 2019-20.  In addition, he has been the recipient of three awards from the National Endowment for the Arts, three from the New York Foundation for the Arts and one from the John Simon Guggenheim Memorial Foundation. His work is featured in international museum collections, including the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Goetz Collection, Munich, Germany; the Walker Art Center, Minneapolis; the Mukha Museum, Antwerp, Belgium; the Los Angeles Museum of Contemporary Art; the Los Angeles County Museum; and the Victoria and Albert Museum, London, England, amongst many others. In 2016, Casebere was a New York Foundation for the Arts Hall of Fame Honoree and the subject of the important survey exhibitions: Fugitive, at the Haus der Kunst in Munich, curated by Okwui Enwezor; Immersion, at Espace Images Vevey in Switzerland; and After Scale Model: Dwelling in the Work of James Casebere, at the BOZAR/Centre for Fine Arts in Brussels, Belgium. James Casebere lives and works in New York.
 
James Casebere’s photographs will be featured in the forthcoming group exhibition Paradise Lost – Gazing at Contemporary Urban Civilization and its Metaphor at the JUT Art Museum, Taipei, Taiwan, on view December 21, 2019 – April 5, 2020
 
For additional information on James Casebere, please visit skny.com
 
For press, please contact Adair Lentini at the gallery, 212.239.1181 or via email at Adair@skny.com

For all other inquiries, please contact Cecile Panzieri at the gallery, 212239.1181 or via email at Cecile@skny.com
 
Follow us on Instagram, Facebook, and Twitter @SeanKellyNY
 

Back To Top